Shooting the Chiefs/Steelers sport with the Z 9 last weekend, I used the Large Area AF (L) space mode on the Z 9. Here’s a part of a 28-frame sequence of Travis Kelce making a catch and running in for a touchdown. I was utilizing the Nikkor 200-400mm f/4 lens, and zooming out as he ran in direction of me. Nikon’s NX Studio software can show me where the autofocus system is targeted in each frame, and in these 18 frames from that burst, it exhibits that first it’s on his body, but then quickly shifts to his eye, and stayed there even when he was filling the frame from the waist up. A pal despatched me an 81-frame sequence from an NBA sport shot with the Z 9, of 1 player on a quick-break, and he’s sharp in each body. This newest generation autofocus system is fairly amazing.
JPEG recordsdata are created by the digicam. It takes the data captured by the sensor, cara buat videografi processes it (much like you’ll do with a Uncooked file in Lightroom, however in accordance with the camera’s built-in parameters), compresses it, discards the unused info, and saves it as JPEG. They don’t essentially need processing in software like Photoshop or Lightroom, although most could be improved by doing so.
As a common rule, stick to only one type of mild per picture – pure or synthetic. Adding pure light to an artificially lit picture can soften a product that’s meant to look sharp, and adding artificial light to a naturally lit photo can sharpen a product that’s meant to look gentle. You don’t wish to get in your own way.