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The tight control over the many twists and subplots of King Creole reflects Curtiz’s expertise. Other Hollywood veterans who made up the crew included cinematographer Russell Harlan, who photographed the movie in a dark, moody lighting type that captured the seedy but seductive environment of the French Quarter. The extent of experience that Wallis, Curtiz, and Harlan delivered to the manufacturing of King Creole would never be matched in one other Presley feature.
You are driving to work, listening to your favourite radio station, when on comes Britney Spears’ “Baby Yet another Time.” By the time you pull into your office parking lot, you’ve got, “Oh baby, baby” operating by your head. You hum it at your desk. You sing it on your strategy to the restroom. You faucet it out on the convention desk throughout your morning meeting. When five o’clock finally rolls round, your coworkers are taking pictures you the evil eye and you’re prepared to tug your hair out.
